Monday, 18 April 2011

Engineer Études, 1: The Combinatorics of Raw Expression

[Note: The following here is a poetic mechanical marvel by Clifford Duffy called cărbune.
http://antioedipus.blogspot.com/2011/04/raw-raw-coal-carbune.html
Please see it there! I reproduced it here for technical analysis. I make my observations about it here: Word-Engine Fueling: Clifford Duffy's cărbune
http://piratesandrevolutionaries.blogspot.com/2011/04/word-engine-fueling-clifford-duffys.html.
As always, we thank you Clifford Duffy.
Perhaps soon we will analyze its technical magic.]



Song now Now singing







song Now









exhalation



SmiLe SmILe SmiLE

____________________________

Bridging lip over sea b air this song



dance|||||||||||||||||||||||||||||||||||||



bridging



inspiration











inspiratie












____________________________________



NOW



I'm hearing your voice,

your NOW inside of me.





----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------

___________________________________________________________________________________________________________________
exhalation



SmiLe SmILe SmiLE

SInging

dance

sideways
expiratie inspiratie









NOW




I'm hearing your voice,

your NOW inside of me.your voice mybody in


Sing now _______________________________________________ the

blanket inhalation



____________________________________






NOW




Now beSi de me / Voice/ Hip/ besideme Insid e you for you



I'm hearing your voice,
InSide of me Inside you YouInSide your NOW inside of me.








Tuesday, 25 January 2011

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testing the formatting
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Merleau-Ponty writes:

Movements outwards are accelerated by green and slowed down by red. Localization of stimuli on the skin is modified by red in the direction of abduction. Yellow and red emphasize errors in judging weight and time, though in the case of cerebellar patients blue and particularly green have a compensating effect. In these various experiments each colour always acts with the same tendency, with the result that a definite motor value can be assigned to it. Generally speaking, red and yellow favour abduction, blue and green abduction [sic: adduction]. Now, on the whole, the significance of abduction is that the organism turns towards the stimulus and is attracted by the world—of abduction that it turns away from the stimulus and withdraws towards its centre. Sensations, ‘sensible qualities’ are then far from being reducible to a certain indescribable state or quale; they present themselves with a motor physiognomy, and are enveloped in a living significance. (243a.b)