Deleuze abecedaire F

temporary m,oby dick deleuze reference for research purposes

Moby Dick

71

It is Herman Melville who, in his novels , fixed this structure for all time. seed impregnating the sea, the ship is caught between its two crystalline faces: a limpid face which is the ship from above, where everything should be visible, according to order; an opaque face which is the ship from below, and which occurs underwater, the black face of the engine-room stokers. But it is as if the lipid face actualizes a kind of theatre or dramaturgy which takes hold of the passengers themselves, whilst the virtual passes into the opaque face, and is actualized in turn in the settling of scores between engineers, in the demonic perversity of a boatswain, in a a captain's obsession, in the secret revenge of insurgent blacks. This is the circuit of two virtual images which continually become actual in relation to each other, and are continually revived. It is not so much Huston's Moby Dick which gives the cinematographic version of the ship, but rather Welles'The Lady from /Shanghai, in which the majority fo the fomrs of the crystal-image are undoubtedly to be found: the yacht called 'The Circe' reveals a visible face and an invisible face, a limpid face that for a moment the naive hero allows himself to be caugt by, while the other face, the opaque one, the great dark stage of the aquarium of monsters, rises in silence and grows as the first one becomes vague or blurred.

good ship

27

[Deleuze does not refer to anything in this movie, but here are some scenes, which might illustrate vaguely the notion of the limpid and opaque sides of the ship.]

dark

29.40 ahab room

48.00 behind mask, before dancing, maybe light dark

5100 nest light?

1 00 00 talk below about not mutiny probem

1.0500 sun

1.29.00 electrical charge, maybe dark side

Huston. Moby Dick 1.wmv

Huston. Moby Dick. 2.wmv

Huston. Moby Dick. 3.wmv

exhalation



SmiLe SmILe SmiLE
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Bridging lip over sea b air this song
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bridging

inspiration




inspiratie

Making Your Hands Become Different

by Scott Wollschleger

[Other Entries in the Differential Music History Series]

Carl Czerny
1791 – 1857

Individuality is difference.

The expression of a self emerges from the power which is difference itself.

Individuation is created through a process of differentiation.
Individuation is differentiation.

What makes a difference?

Czerny - a machine composer.

His question to us is, "How do I continually differentiate the music?”. The technique itself has to become different throughout. It does this by remaining the “same” in one sense while changing in another. One sense will say, " Yes, this again". Yet, the other sense will force our hand to change its relationship to the keyboard, as if to say, “No, this must be different now”.

Technique is developed through the increase of connective differences communicating throughout the living hand and body. Czerny helps our hands become different from themselves.

The Differential Music History Series, Entry Directory

Scott Wollschleger

Differential Music History

1. Making Your Hands Become Different

Engineer Études, 1: The Combinatorics of Raw Expression

[Note: The following here is a poetic mechanical marvel by Clifford Duffy called cărbune.
http://antioedipus.blogspot.com/2011/04/raw-raw-coal-carbune.html
Please see it there! I reproduced it here for technical analysis. I make my observations about it here: Word-Engine Fueling: Clifford Duffy's cărbune
http://piratesandrevolutionaries.blogspot.com/2011/04/word-engine-fueling-clifford-duffys.html.
As always, we thank you Clifford Duffy.
Perhaps soon we will analyze its technical magic.]



Song now Now singing

song Now

exhalation



SmiLe SmILe SmiLE

____________________________

Bridging lip over sea b air this song


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bridging



inspiration










inspiratie

____________________________________



NOW



I'm hearing your voice,

your NOW inside of me.

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exhalation

SmiLe SmILe SmiLE

SInging

dance

sideways

expiratie inspiratie

NOW




I'm hearing your voice,

your NOW inside of me.your voice mybody in

Sing now _______________________________________________ the

blanket inhalation

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NOW

Now beSi de me / Voice/ Hip/ besideme Insid e you for you

I'm hearing your voice,

InSide of me Inside you YouInSide your NOW inside of me.